So WTF? So win. 
Obviously built on Unreal 3. Won't buy.
Yeah right, day 1 purchase for sure.
Lionhead Studios? They couldn't possibly be over-promising results!
Another preview of my current project. This takes place a few minutes after the last video and showcases a second encounter with the Brumak, and phase 1 of the final arena.
Sweet. Cloverfield the game.
What game is that in, KFS? Looks like the hooks of Prey with the visuals of Portal.
A big congratulations to Battle: Los Angeles to be the first movie I've ever fallen asleep to watching in a theater (and then woken up wondering when it would finally be over).
Amazing how a big budget film gets so wrapped up in shaky cams, explosions, and more flying dust than every level of BFBC2 combined that they make it impossible to follow what's going on in every action scene (except the final one, thankfully).
Looks more like the city in The Fifth Element than Killzone.
Last night I added in some additional details to the level description to help convey the design of the map. I'm wondering if it's too much text and should be put into a level abstract, or to leave it up.
Your portfolio is titled "Level Designer" but your works posted and descriptions are really "Environmental Artist."
Tourettes in forum post form.
Awesome environments, and a cool game premise!
The shaky cam in the intro needs to go. Detracts from trying to soak in all the detail of those shots.
Another option would be to simply make the area wider, with various levels of cover, similar to your hunter arena towards the end.
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Nice looping design there. Could probably use a few slightly longer breaks in the fighting as you climb up the structure.
Dead Space was originally going to be built on Unreal 3, but Visceral elected to go with an internal engine just prior to production because UE3 is very poorly optimized for dynamic lighting.
A short segment of the current level I'm working on.
Quote from KungFuSquirrelhey look at all those really obvious assets placed in the street.
Oh hell. Is it because cars are placed perpendicular to the flow of traffic?
Got what you mean by angled roads now.
I'm not quite sure I follow what you are saying, KFS.
Here is a shot of the starting viewpoint. The total distance to that back building behind the monument is roughly 25k UU. Most of the action takes place down at street level, where there are a few opportunities of getting to the walkway.
The BSP was the first thing built. The level is a giant outdoor urban area, with a few interior environments. Outside, it's a split-level street (cars travel through a sunken street and pedestrians can travel along an elevated sidewalk and bridges over the streets).
The big challenge is going to be optimizing once the art pass is done. There are long sight lines down each street, spanning up to 3 city blocks (almost 7500 UU per block) that will potentially be murder on the hardware. This could be gotten around by having giant fallen buildings blocking sight lines, but that would also prevent seeing some major landmarks that will aid in navigation.
The only thing I can see working will just be some very granular streaming control, and finding some creative ways of placing unobtrusive back gates (the easiest of which is jumping off the side of a low-height object that can't be climbed on/mantled over).
Overall, Kismet scripting is really easy. The only challenge comes in when the AI doesn't do what it should (like not run away), which requires a lot of pathnode toggling to correct.
Thanks, man! I've been using method A so far, and am a little over halfway through adding in all the scripting. I'll start working on breaking it up into different streamed levels before proceeding further. 
This might take awhile.
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