THE DOOR CHALLENGE!
I want to start out by welcoming you to the 2ND Door Challenge! It’s been a little over 7 Years since we held the first one! A lot has changed in our industry and new engines have made level design more accessible than ever before. With all the fresh talent coming into our industry, I think it’s important that we challenge ourselves and each other to push our creative thinking.
This challenge is meant to be for everyone to join in, from your first time level designer to your Senior and Lead Designers! Everyone is in a different place throughout their careers and it’s always fun to hone your skills on one of the most old school puzzles of our time “Get the Door Open!”. The last time we did this we had a fantastic turn out of completed and submitted puzzles! Especially since we are focusing on JUST design and scripting and NOT on art!
As this is a scripting challenge, you are encouraged to use Dev textures or simple greyscale materials and only what art assets are absolutely necessary to communicate key ideas. The point is to focus on your Scripting / Presentation / Storytelling / Puzzle Making skills.
Most entries generally took a few days to build from start to finish, so don't sweat worrying about the deadline. If you would like to get a better idea, check out some of the entries from the first door challenge.
Remembering our Past
SOLEVAL - First Place
Magnar Jenssen - Participation
Robert Yang - Participation
Jason Mojica - Participation
Rules and QA
Build a puzzle and craft a story to creatively open “The Door”! It doesn't matter whether you're entering, exiting, or just moving from one room to another - just get that DOOR OPEN!
Acceptable Engines : UE4 / Unity / Source SDK
For UE4 or Unity, you will be REQUIRED to provide an EXE of your game
For Source SDK, a simple bsp will do with info on the game you built it in. (Eg. Half-life 2, Portal 2, CS:GO, TF2)
We encourage you DON’T use Art unless needed to sell your idea. Simple meshes / Dev textures / grey textures should do fine.
You are ALLOWED to use Templates to start yourself off. Example: UE4 has a FPS , Third Person , and VR template.
You are ALLOWED to use existing scripting/ blueprints or Code to help you make your puzzle.
You CAN choose - First person, Third Person , Virtual Reality (VR)
DON’T submit anything larger than 250 mbs , we want simple entries that everyone can download.
The challenge will begin Friday, August 10th, and end Sunday, September 16th at 11:59PM US CENTRAL time (GMT -6)
Must Haves :
A zip file including your EXE or map file
2 screenshots of your scene (ATTACHED! This will help us archive our entries for posterity)
A video showing the puzzle's intended solution (hosted on youtube would be fine)
Full Name (optional)
Website or Portfolio (optional)
The original level source (and any other relevant files) for inquiring minds to examine your scripting
Judging : We will start judging the day after closing, Everyone will get 3 votes and then we will vote on the top 3 one week later. Things to think about when judging or making an entry.
Innovation - More than just a simple Door!
Theme - How close did you stay to the idea of the challenge
Readability - Was your idea clear and easy to understand?
Humor - Did you make someone laugh or enjoy your entry?
Overall - Wrap everything together! Was it awesome?
Door - Q: How much Door you got? A: Hell yes
As with the previous challenge, there will be no prize other than the pride of knowing people thought you were awesome. Woo!
This article may contain slight spoilers
DOOM's Argent Tower is a superb Single-Player level. The Argent Tower motivates players with an obvious goal, expands in scope (almost unbelievably), and masterfully controls pacing. A playground for new a ability and a giant environmental puzzle, the Argent Tower is the best level in this excellent reboot of the franchise.
Now, let's explore the reasons why this level feels so memorable!
Players will know their goal from the outset: climbing the Argent Tower. In addition to verbal instructions, the level's construction and composition never fails to aim you upward. Warm lighting moves up vertically, so that players' eyes are always drawn upwards.
Even the item you acquire in the level's prelude is a double-jump upgrade, which the level then associates with an oft-repeated green light motif. Players will be doing a LOT of double-jumping in the Tower, so the game articulates a method to guide them.
While players may or may not consciously respond to this green-light motif, the designers clearly believe it works as a navigational aid: it is repeated with brutal consistency throughout the level.
When players reach the Tower's inner core, the vast power of DOOM's engine is indisputable. Great music kicks in, monsters spawn all around the player, and the game "gates" engagements without muddying players' central, long-term gameplay goal.
The symmetrical, circular design of the Tower's core proves extremely useful in several respects. Because players can only progress upwards, they get to experience fun combat engagements and jumping puzzles before they are neatly stuffed into small corridors adjoining the main core.
This contrast between the core's verticality and its cramped side passages makes for easily controlled progression through the level and amplifies the awe of returning to the core. In one side area of the Argent Tower, players experience a "monster closet" ambush, a classic DOOM design trope in which a demon emerges from a closet adjacent to a corridor. Here, the designers chose an exploding demon for extra "oomph"!
There's just something timeless about monster closets. That the game dives down to its most granular level (the monster closet) additionally provides contrast to the heights of the massive core.
DOOM carefully reminds players of their progress ascending the Tower. In one cramped side-area, players are faced with the seemingly trivial task of shooting canisters that underpin an elevator blocking their path. After destroying the canisters, the elevator falls down its shaft.
Half-Life 2 used similar imagery to convey the scale (and ongoing destruction) of The Citadel:
An additional point of this elevator diversion was to slow players down, to keep them away from the showpiece core a little while longer.
New players will take a minute to identify the canisters overhead and discern that they need to be destroyed, because this is a novel task and because FPS players notoriously fail to look upward. Later in the game, the designers repeat the canister mechanic before providing players the BFG, the defining weapon of the series. Without the subtle change in momentum the canisters provide, gaining access to the Tower's rooftop or the BFG would feel too straightforward and simplistic.
Having artificially lengthened the break players take from the core, the designers have guaranteed that environmental contrast will enhance perception of the Tower's scale AND that player intelligence and momentum has been challenged by a new problem. (...but because this is DOOM, problem solving is still ultimately about destroying shit.)
Players complete more than six different jumping tasks including riding a flying drone to climb the Argent Tower and enter a portal into Hell.
Such a variety of jumping puzzles and hazards makes the level memorable and is another technique enlarging perception of the Tower. To be clear, jumping puzzles are universally terrible in every FPS game, but their annoyance here is dulled by the focused grandiosity of the level and the ability to grapple onto ledges. The designers ultimately cared a lot more about giving players a memorable locale than sparing them falling deaths.
After reaching the top of the Argent Tower, players are greeted by a giant, climactic battle which ends with a wonderful fade to white.
Only now are players ready to enter Hell confident that they've truly gotten to experience Mars.
It's important to remember that, fundamentally, the Argent Tower is about going from point A (the foot of the tower) to point B (the top). Faced with a similar Tower-landmark, some designers might path this route with nothing more than a simple elevator cinematic or miss countless opportunities to do something special. DOOM's designers, however, missed nothing: they recognized the need to offer players dense and varied challenges, careful pacing, and spatial design rich with contrast.
Later, when players return to Mars, the destroyed husk of the Tower provides an instantly recognizable landmark re-orienting players on their adventure and a tantalizing hint that things are different now.
The Argent Tower goes to show that great levels are not about the destination, but the journey -- and all the controlled chaos along the way!
Thanks for reading!