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Radu

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  1. Like
    Radu got a reaction from ics for an article, Level Design in Max Payne: Roscoe Street Station   
    Level Design in Max Payne: Roscoe Street Station
     
    Max Payne is a third person shooter developed by Remedy Entertainment and published on July 2001. At the time of its release, the game gained critical acclaim for its use of the bullet time mechanic - a special ability that slows down time around the character. Inspired by Hong Kong action films and hard boiled detective novels, the game focuses on intense action sequences and the protagonist's internal struggle as he attempts to avenge his murdered family.
    The game's story is structured under three parts, each containing several chapters. For the purposes of this article, we will take a look at Chapter One: Roscoe Street Station, from the first part of the game, and deconstruct the level progression as well as state design decisions when encountered.
     

                                                                                     1                                                                                                                   2                                                                                                                3
    The level begins with a cutscene of Max riding the subway train towards Roscoe Street Station to meet with his friend Alex. As soon as Max gets off the train, he remarks that “The station was drenched in gloom. Alex was a ghost nowhere to be seen. I’d have to look for him”. Although we aren’t given much information to work with, it’s enough to build a sense of mystery and give the player a goal.
    Taking control over the character, we discover that our main path is blocked (1) and are forced to explore a side area (2) where more narrative is to be revealed. As we burst open the doors of the personnel room, we stumble over the body of a transit police officer (3). Once again, a quick cutscene centers on Max while he delivers his lines and sets the tone accordingly: "Death was in the air at Roscoe Street. I'd have to find Alex fast." At this point, Max pulls out his pistol and we can either return to the starting area or explore the room for hidden ammunition and health. Doing the latter teaches the player that exploration is rewarded through much needed supplies.
    On our way back, we encounter our first two enemies and notice that the main path is no longer blocked. Though, If the player takes his time and waits around the corner before engaging the enemies, bits of story will be delivered by them, explaining their reason for being there or informing on the overall situation. And as trivial as that sounds, it can have a major impact on immersion and believability. Clearly this is something the developers have identified early on and implemented throughout the game. Giving the player the option to advance at his own pace goes a long way and makes for a more dynamic experience. Those who want to rush through the levels can do so. Others that want to explore and listen to bits of story can do that as well. It’s an ideal situation that satisfies both worlds.
     

    4
    After our first encounter, we can proceed through the main path where we immediately find two more enemies. As previously mentioned, we have the option to directly engage in combat or wait for the enemies to reveal additional information. An important thing to make note of is that despite the fact that the gameplay space is tailored around the player’s needs, the environment always feels natural. A good example is this specific bit (4), where the player is now emerging from a set of stairs and can dive on his side towards a nearby mail box for cover.
    When designing a space that is supposed to represent a real life location, it's essential for the level designer to always keep in mind that everything placed in the scene must abide by the real location's logic. Of course, adding something unusual or out of place is a good way to draw the player's attention, but in general we all have expectations of what kind of objects to find in most environments. Meeting those expectations is key to creating a believable game world.
     

                                                                                      5                                                                                                                   6                                                                                                                 7
    Going down the corridor, we hear another enemy, but this time located behind an inaccessible gate (5). Although his placement seems odd, this set-up accomplishes two things. Firstly, it creates an audio cue to draw the player forward. Secondly, it gives the illusion that the environment is much larger than it actually is. It's a simple trick and probably one of the oldest in the level design book, one which the developers have used extensively throughout the game to their advantage. If you find yourself creating a fairly linear level, simply adding a few inaccessible areas is a quick and painless way of providing some visual depth to your environment. As in real life, there are plenty of areas that we cannot access.
    Continuing with the idea of guiding the player, we begin to notice even more ways of doing that. This time our direction is implied through arrow signs in combination with an enemy audio cue (6). And after encountering the said enemy we acquire a new weapon type, the pump action shotgun, as well as discover the Subway Control Room (7). Unable to access it, Max elaborates that “The security panel let off a mocking cackle. I’d need the right code”. Without knowing specifically why we need to gain access, we can nonetheless conclude that opening the Subway Control Room is somehow tied to the level progression in some way. Turning to our immediate left, we begin to descend to a closed station.
     

                                                                                       8                                                                                                                 9                                                                                                                10
    At this point, having also acquired the shotgun, the difficulty starts to increase as we encounter three enemies on our path. Once they have been dealt with, we find ourselves in a fairly elaborate space with two options for exploration:
    Taking the path to our right, we end up in a room (8) designed to replenish the player’s ammunition and health. Going to the back of this room, we locate a corridor leading to a locked grate door. Even though we cannot open it, reaching the end will deliver additional information through the means of dialogue between two enemies situated on the other side. In contrast to previous encounters, this time we have the option to kill our enemies by shooting a nearby propane canister. After dealing with them, Max notes that "The gate was locked. I would need to find another way to get to the tunnel". This gives us a hint as to where we need to go in order to progress with the main goal.
    Opting for the path to our left, towards the end of the station, we locate a personnel room, a bright yellow maintenance train (9) and a small supply room. Checking out the maintenance train, Max states that "The power to the rail had been cut. I'd have to get it back on to get the train moving". Looking to the opposite side of the train, we notice a tunnel blocked by a series of wooden boards. Putting two and two together, we must find a way to power up the maintenance train and crash though the boards to reach the level's final area. Of course, now we realize why we must gain access to the Subway Control Room. Turning our attention away from the train, we open the door to the nearby personnel room. Inside, we find a transit police officer held at gun point by an enemy (10). After killing the thug, the officer informs us that he can access the Subway Control Room and so we begin to backtrack. Having reached the security panel, the officer unlocks the door, but is shot dead by an enemy already on the inside.
     

    11
    Reopening the door, we notice the enemy has retreated to a secondary room. Pursuing him, we encounter 3 additional thugs, totaling 4 enemies, the most we have yet to fight at once. It's important to notice that, as we advance through the level, the number of enemies we encounter at a given point increases, but in a manner that is fluid and balanced. So far, the pattern has been to include single enemy encounters between group encounters. This way, the player doesn't constantly feel overwhelmed and has time to recuperate before a larger fight. 
    After dealing with the enemies, we discover a third smaller room to the back. Inside this room there is an electric panel (11) that controls the subway power lines, a cabinet with health supplies and a series of camera displays. Using the button on the electric panel triggers a green line to rise on it's display, giving the player visual confirmation that power is now back on for that specific line. Additionally, using the nearby camera display will show an image of the bright yellow maintenance train and compel Max to state that "The train lit up like a Christmas tree. The power was back on". 
     

                                                                                           12                                                                                                           13                                                                                                              14
    We then proceed to backtrack to the train. Backtracking again. Sometimes, and especially if overdone, this design decision can become tedious and potentially confuse players. However, when used sparingly in design and with a bit of logic, forcing the player to go back and fourth between parts of the level in order to progress can make the environment seem more connected as a whole. Backtracking can also prove to be a good way of making the most out of a given environment by squeezing as much gameplay as possible.
    Once we have reached the train, we can either immediately operate it or explore the area behind it for ammunition. Manning the wheel (12), the train begins to accelerate and shortly crashes through the wooden barricade. Advancing in the tunnel (13), we encounter 3 enemies and reach the area seen previously from the locked grate door. Our only path to follow now is through a rusty door leading to the next level (14). While we didn't accomplish our primary goal in this level, we still managed to gather information about the situation, be it directly from Max's lines or indirectly from the enemy dialogue. 
     
    Conclusion
     
    Despite it's ever growing age, Max Payne still proves to be relevant even today. Examining how the gameplay unfolds in Roscoe Street Station, we can only conclude that the people at Remedy Entertainment are without a doubt true masters of their craft. And for those passionate about designing single player levels, here are 10 principles that we can learn from them:
     
    Story is revealed in small amounts to keep the player interested for more Exploration is rewarded through useful items Inaccessible areas can give more depth to the environment Players that want to be engrossed in the game world are rewarded with additional information Environments are designed with a certain logic to meet player expectations  Players are guided through subtle visual language or audio cues Progression obstacles are designed to be relevant to the story Intelligent backtracking uses the gameplay space to it's full potential and makes the environment seem more connected Interaction with the environment is reinforced through audio-visual feedback Properly balanced difficulty allows the player moments of rest and doesn't constantly overwhelm with enemies  
  2. Like
    Radu reacted to Rusk for an article, Effect and Cause - Titanfall 2 Level Breakdown   
    Intro
    Titanfall 2 was one of the best FPS titles of 2016, featuring a very strong single-player campaign with interesting combat and puzzle gameplay for both players and their Titan. Additionally, each level featured its own special twist: "Effect and Cause", for example, presents players with a memorable time-traveling mechanic.
    The time-travel mechanics of "Effects and Cause" serve couple of purposes, influencing not only the way players traverse the environment and its associated obstacles, but also how they fight through the level's combat scenarios. Two different time periods are a threat to the player, so the designers decided to allow players to see where the enemies from the past are located.
    Once you move from past to the present, enemies leave a small blue particle in the place where they had been standing. Although the effect lasts no longer than two seconds, it’s enough to help players plan their next move. This twist on encounters makes them much more interesting and dynamic.
     

     
    For "Effect and Cause", the developers created distinct enemies archetypes with different engagement distances and attacks for each time period. In the present (a destroyed version of the map) the player deals with robots and wildlife. In the past, players face armed guards in the facility. Eliminating the danger in one reality does not make it disappear in the other, forcing players to think constantly about their position versus the enemies in the different time frames.
    Let’s discuss three selected encounters from "Effects and Cause" in-depth to see how they work in action!
     
    Encounter 01
    The first encounter where players freely use the time-shift mechanic starts shortly after players exit a lab area. Here, enemies are located only in the past, when the facility is operating and functional. This prevents players from becoming overwhelmed with two types of enemies in two different realities within the first big encounter of the level.
     
    Layout

     
    Combat space
    This encounter is set up in two distinct spaces. The first space is a big room with a single entry point in the form of a double door opened by a panel, with combat focused at the far end of the room. The second space is a large corridor with a pocket in the middle and a security room at the end. A panel in the security room must be used in order for the player to progress.
    Both encounter spaces are divided by a time-shift puzzle, the only way to continue onto the next arena. This time-shift puzzle serves as combat gating and also adds variety to encounters that are otherwise only about shooting. The gating also teaches the player that some spaces cannot be traversed in any time period, and that the only solution to the obstacle is to find alternative routes.
     

     
    Enemies
    There are eleven enemies in this encounter: four located in the first room, and seven in the second room. Once you eliminate the two enemies in the first room, the remaining two enemies get into position. The second space has a fixed number of soldiers, with no additional waves. All the soldiers are using guns or rifles. The advantage/challenge to the player in this encounter comes from the number of the enemies, not their abilities.
     

     
    Encounter design
    Once the player enters the first space, they see two soldiers talking to each other. It’s up to player to start the fight and pick their preferred attack method. Once the first two enemies are eliminated, players enter an area with clearly defined architecture and a no-man’s-land inbetween. Players should also see a weapon lying on the desk, a gameplay "carrot" which helps to draw players into the fight. The enemies will hold their positions and try to shoot the player from behind the safety of cover.
    The second area gives players more options, and also allows them to scan the area earlier (both from the first room through the lasers, and also from a vent). The designers ramp up the difficulty here, introducing more enemies into a tighter space.
    With the time-switching mechanics at hand, players can prioritize threats in order to set up their own tactics. It’s clearly up to player how to plan and play this encounter. As there is no threat in the past timeline, players can experiment with going back in time without punishment, ‘escaping’ the combat at any given moment in order to reload, reposition and jump back to the action. This encounter is memorable as it is the first time that players fully use their time switching mechanic, functioning as a safe environment to learn. In other words, it's a skill check and a preparation for what lies ahead...
     
    Encounter 02
    The second encounter worth analysis is much more varied with how it positions enemies throughout the level. It also places enemies in both time periods, serving as a playground for prioritization strategies and other interesting player tactics. This encounter also features more verticality, which helps prevent players from feeling too overwhelmed with enemy forces, while also allowing players to use more of their Titan-piloting skills.
     
    Layout

     
    Combat space
    This encounter is located in a fairly large room with ample verticality. Players enter the space on the upper floor through a single entry point and continue their way onto a balcony, letting players familiarize themselves with the space from above. At the far end of the room, players will spot a staircase going down to the lower level where elevators are located. This area has two big areas of standing cover, accessible on both heights, and a variety of crouch-height cover such as railings, desks and potted plants. This space also has a small side-room allowing further tactical options. This whole area is gated with an elevator door which does not open until the combat encounter is over.
     

     
    Enemies
    This encounter is quite varied in terms of the enemies players face. In the past timeline, players face eleven soldiers: nine regular soldiers and two heavy soldiers with shields. These soldiers come in four groups of two or three each. The solders come with short intervals inbetween each wave, so that the player has time to react and make more intellectual choices.
    In the present, players face three robots appearing almost at once when they walk along the balcony at the top of the space. Once the player goes down, they have to fight four prowlers which appear one after another with a couple of seconds delay between each new spawn.
     

     
    Encounter design
    We start the encounter in the present timeline, with the gate blocked in the past timeline. On the way to the staircase, three enemy robots spawn but do not pose a big threat to players. Once players move down, their attention is drawn to a desk with guns. This helps players to immediately position into a location in front of the elevators.
    Once players shift to the past, enemies start to appear from the elevators. There is not enough cover to fight off all of the attackers, forcing players to prioritize and switch in time to better position themselves for attack. Once players go back into the present, prowler enemies will start to appear, forcing players to continue constant movement.
    This encounter may feel a bit hectic, but it is a good test of both pilot skills and thoughtful time switching. It's the first encounter which forces players to prioritize which enemies they want to deal with first in different time periods. Due to the designer's smart use of the elevators, vents, and robot storage, enemies are brought into the field in an interesting way. But at the same time, enemies are introduced to the player with clear sound and visual cues, so they remain alert to upcoming surprises.
     
    Encounter 03
    The third encounter I want to breakdown is by far the most robust yet. It features different height levels, space divided into two areas, and flanking paths which can be accessed only through certain time periods. It serves as the "final skill check" for all of the pilot abilities and time-shifting gathered thus far in "Effect and Cause".
     
    Layout

     
    Combat space
    This encounter is spread across two areas of vertical space, connected by multiple paths that create nice loops for players to use to their advantage. There is one clear entry point with a wide view of the whole combat space and one exit located in the second area, but the space inbetween offers a great deal of choice in terms of how players can tackle the encounter.
    Playing through the encounter, players will learn that there is a geometry difference between the two different time frames that can be overcome with some of the pilot skills at their disposal. A big catwalk goes around the whole room with additional rooms with guns and ammo on the bottom level, for example. The amount of space available is needed, because the combat space is packed with enemies.
     

     
    Enemies
    In the past, players have to fight twelve soldiers: nine regular soldiers and three heavies with shields, as well as three robots. The enemies are spread out across the whole space of the encounter, but because the areas are connected with each other through multiple paths, the enemies will try to chase and eliminate the player. This means that the encounter feels very dynamic and tense.
    In the present, players face robots: eight prowlers inside, and even more of them outside fighting with BT (the player's Titan). The enemies in the present are hostile to each other, showing players an example of how the enemy AI can actually fighting eachother: information which players can then use to their advantage.
     

     
    Encounter design
    Players enter this area in the past, where they witness a single back-facing enemy, instantly inviting them to perform a takedown. From this point, the encounter is very open to experimentation: the player can either continue in the past and fight a big wave of soldiers coming through the main path (a staircase in the middle), or they can switch to the present, where they will find open flanking paths on both sides of the level. Going with the latter option offers a moment to breathe before prowlers are spawned, but it will also disable an ammo dispenser in the first area, adding consequence to player choices.
    Staying in one place will result in a massive pile-up of enemies in the area, so players are motivated to move around a lot, time shifting when needed. The second area of this encounter is one of the level's biggest in-door combat spaces. If players choose to go into this second area in the past, the encounter will be quite vertical with soldiers located both on the ground and on the upper catwalk. Switching to the present will cause a bigger concentration of enemies on the ground floor.
    Players are given enough space to fully use pilot’s zip-line ability to create shortcuts across the room, accessing the various loops and ammo dispensers needed to create a fair fight despite overwhelming enemy forces. There are very few conditions placed upon this encounter, so players can leave the area and jump into his Titan to deal with different threats at any time. Overall, this encounter serves as a test of everything learned previously, with players having the option to ‘lower’ the difficulty of the encounter using their titan.
     

     
    Conclusion
    The above examples are just a slice of Titanfall 2 gameplay contained within the excellent level "Effects and Cause", but in my opinion clearly shows how this great game was enhanced by its time shifting mechanic. The idea is fairly simple: time-shifting is nothing more than teleportation between two different levels, one layered on top of another, but the strong execution makes for a memorable experience that really stands out in comparison with other shooters. I highly recommend playing "Effects and Cause" as it is both challenging and fun, a level where Titanfall 2's time-shift mechanics comes into focus, providing additional depth to the whole game.
     
    Thanks for reading!
  3. Like
    Radu got a reaction from gav for an article, 2017: Mapcore's Year in Review   
    (New logo by Yanzl)
    I'm sure that by now most of us have our sleeves rolled up and are ready to tackle yet another year, but before we move forward let's take a moment to look back at what 2017 meant for our community. It was a time of immense growth for both professionals and amateurs alike. A time when everyone seemed to have surpassed their former selves. And without slowing down, some have even managed to land their first job in the industry. I don't know what this new year holds, what challenges to overcome will arise, but I know for certain that I'm excited to see everyone become even greater!
     
    2017: Mapcore's Year in Review
     

    Overwatch - Oasis
    by Phillip K, Bram Eulaers, Helder Pinto and others
     

    Dishonored 2: Death of the Outsider - Curator level
    by electrosheep, kikette and others
     

    Payday 2 - Brooklyn Bank level
    by General Vivi
     

    Sniper Elite 4 - Regilino Viaduct
    by Beck Shaw and others
     

    Counter-Strike: Global Offensive - Offtime
    by Squad
     

    Team Fortress 2 - Shoreleave
    Art pass, props and sound by Freyja
     

    Wolfenstein II: The New Colossus - Farmhouse
    Modeled, textured and composed by BJA
     

    Half-Life 2: Downfall
    by marnamai
     

    Counter-Strike: Global Offensive - Studio
    by ZelZStorm, TanookiSuit3 and Hollandje
     

    Portal 2 - Refraction
    by Stract
     

    Counter Strike: Global Offensive - Breach
    by Yanzl and Puddy
     

    Counter-Strike: Global Offensive - Berth
    by grapen
     

    Counter-Strike: Global Offensive - Kaizen
    by Andre Valera and Jakuza
     

    Counter-Strike: Global Offensive - Asylum
    by Libertines
     

    Half-Life 2: Episode 2 - FusionVille: The Shadow over Ravensmouth
    by Klems
     

    Unreal Engine 4 scene
    by Dario Pinto
     

    Counter-Strike: Global Offensive - Grind
    by The Horse Strangler, `RZL and MaanMan
     

    Counter-Strike: Global Offensive - Aurelia remake
    by Serialmapper
     

    Counter-Strike: Global Offensive - Tangerine
    by Harry Poster
     

    Counter-Strike: Global Offensive - Abbey
    by Lizard and TheWhaleMan
     

    Counter-Strike: Global Offensive - Apollo
    by Vaya, CrTech, Vorontsov, JSadones
     

    Counter-Strike: Global Offensive - Sirius
    by El Exodus
     

    Unreal Engine 4 scene
    by Corvus
     

    Counter-Strike: Global Offensive - Subzero
    by FMPONE
     

    Counter-Strike: Global Offensive - Biome
    by jd40
  4. Like
    Radu got a reaction from Klems for an article, 2017: Mapcore's Year in Review   
    (New logo by Yanzl)
    I'm sure that by now most of us have our sleeves rolled up and are ready to tackle yet another year, but before we move forward let's take a moment to look back at what 2017 meant for our community. It was a time of immense growth for both professionals and amateurs alike. A time when everyone seemed to have surpassed their former selves. And without slowing down, some have even managed to land their first job in the industry. I don't know what this new year holds, what challenges to overcome will arise, but I know for certain that I'm excited to see everyone become even greater!
     
    2017: Mapcore's Year in Review
     

    Overwatch - Oasis
    by Phillip K, Bram Eulaers, Helder Pinto and others
     

    Dishonored 2: Death of the Outsider - Curator level
    by electrosheep, kikette and others
     

    Payday 2 - Brooklyn Bank level
    by General Vivi
     

    Sniper Elite 4 - Regilino Viaduct
    by Beck Shaw and others
     

    Counter-Strike: Global Offensive - Offtime
    by Squad
     

    Team Fortress 2 - Shoreleave
    Art pass, props and sound by Freyja
     

    Wolfenstein II: The New Colossus - Farmhouse
    Modeled, textured and composed by BJA
     

    Half-Life 2: Downfall
    by marnamai
     

    Counter-Strike: Global Offensive - Studio
    by ZelZStorm, TanookiSuit3 and Hollandje
     

    Portal 2 - Refraction
    by Stract
     

    Counter Strike: Global Offensive - Breach
    by Yanzl and Puddy
     

    Counter-Strike: Global Offensive - Berth
    by grapen
     

    Counter-Strike: Global Offensive - Kaizen
    by Andre Valera and Jakuza
     

    Counter-Strike: Global Offensive - Asylum
    by Libertines
     

    Half-Life 2: Episode 2 - FusionVille: The Shadow over Ravensmouth
    by Klems
     

    Unreal Engine 4 scene
    by Dario Pinto
     

    Counter-Strike: Global Offensive - Grind
    by The Horse Strangler, `RZL and MaanMan
     

    Counter-Strike: Global Offensive - Aurelia remake
    by Serialmapper
     

    Counter-Strike: Global Offensive - Tangerine
    by Harry Poster
     

    Counter-Strike: Global Offensive - Abbey
    by Lizard and TheWhaleMan
     

    Counter-Strike: Global Offensive - Apollo
    by Vaya, CrTech, Vorontsov, JSadones
     

    Counter-Strike: Global Offensive - Sirius
    by El Exodus
     

    Unreal Engine 4 scene
    by Corvus
     

    Counter-Strike: Global Offensive - Subzero
    by FMPONE
     

    Counter-Strike: Global Offensive - Biome
    by jd40
  5. Like
    Radu got a reaction from Roald for an article, 2017: Mapcore's Year in Review   
    (New logo by Yanzl)
    I'm sure that by now most of us have our sleeves rolled up and are ready to tackle yet another year, but before we move forward let's take a moment to look back at what 2017 meant for our community. It was a time of immense growth for both professionals and amateurs alike. A time when everyone seemed to have surpassed their former selves. And without slowing down, some have even managed to land their first job in the industry. I don't know what this new year holds, what challenges to overcome will arise, but I know for certain that I'm excited to see everyone become even greater!
     
    2017: Mapcore's Year in Review
     

    Overwatch - Oasis
    by Phillip K, Bram Eulaers, Helder Pinto and others
     

    Dishonored 2: Death of the Outsider - Curator level
    by electrosheep, kikette and others
     

    Payday 2 - Brooklyn Bank level
    by General Vivi
     

    Sniper Elite 4 - Regilino Viaduct
    by Beck Shaw and others
     

    Counter-Strike: Global Offensive - Offtime
    by Squad
     

    Team Fortress 2 - Shoreleave
    Art pass, props and sound by Freyja
     

    Wolfenstein II: The New Colossus - Farmhouse
    Modeled, textured and composed by BJA
     

    Half-Life 2: Downfall
    by marnamai
     

    Counter-Strike: Global Offensive - Studio
    by ZelZStorm, TanookiSuit3 and Hollandje
     

    Portal 2 - Refraction
    by Stract
     

    Counter Strike: Global Offensive - Breach
    by Yanzl and Puddy
     

    Counter-Strike: Global Offensive - Berth
    by grapen
     

    Counter-Strike: Global Offensive - Kaizen
    by Andre Valera and Jakuza
     

    Counter-Strike: Global Offensive - Asylum
    by Libertines
     

    Half-Life 2: Episode 2 - FusionVille: The Shadow over Ravensmouth
    by Klems
     

    Unreal Engine 4 scene
    by Dario Pinto
     

    Counter-Strike: Global Offensive - Grind
    by The Horse Strangler, `RZL and MaanMan
     

    Counter-Strike: Global Offensive - Aurelia remake
    by Serialmapper
     

    Counter-Strike: Global Offensive - Tangerine
    by Harry Poster
     

    Counter-Strike: Global Offensive - Abbey
    by Lizard and TheWhaleMan
     

    Counter-Strike: Global Offensive - Apollo
    by Vaya, CrTech, Vorontsov, JSadones
     

    Counter-Strike: Global Offensive - Sirius
    by El Exodus
     

    Unreal Engine 4 scene
    by Corvus
     

    Counter-Strike: Global Offensive - Subzero
    by FMPONE
     

    Counter-Strike: Global Offensive - Biome
    by jd40
  6. Like
    Radu got a reaction from esspho for an article, 2017: Mapcore's Year in Review   
    (New logo by Yanzl)
    I'm sure that by now most of us have our sleeves rolled up and are ready to tackle yet another year, but before we move forward let's take a moment to look back at what 2017 meant for our community. It was a time of immense growth for both professionals and amateurs alike. A time when everyone seemed to have surpassed their former selves. And without slowing down, some have even managed to land their first job in the industry. I don't know what this new year holds, what challenges to overcome will arise, but I know for certain that I'm excited to see everyone become even greater!
     
    2017: Mapcore's Year in Review
     

    Overwatch - Oasis
    by Phillip K, Bram Eulaers, Helder Pinto and others
     

    Dishonored 2: Death of the Outsider - Curator level
    by electrosheep, kikette and others
     

    Payday 2 - Brooklyn Bank level
    by General Vivi
     

    Sniper Elite 4 - Regilino Viaduct
    by Beck Shaw and others
     

    Counter-Strike: Global Offensive - Offtime
    by Squad
     

    Team Fortress 2 - Shoreleave
    Art pass, props and sound by Freyja
     

    Wolfenstein II: The New Colossus - Farmhouse
    Modeled, textured and composed by BJA
     

    Half-Life 2: Downfall
    by marnamai
     

    Counter-Strike: Global Offensive - Studio
    by ZelZStorm, TanookiSuit3 and Hollandje
     

    Portal 2 - Refraction
    by Stract
     

    Counter Strike: Global Offensive - Breach
    by Yanzl and Puddy
     

    Counter-Strike: Global Offensive - Berth
    by grapen
     

    Counter-Strike: Global Offensive - Kaizen
    by Andre Valera and Jakuza
     

    Counter-Strike: Global Offensive - Asylum
    by Libertines
     

    Half-Life 2: Episode 2 - FusionVille: The Shadow over Ravensmouth
    by Klems
     

    Unreal Engine 4 scene
    by Dario Pinto
     

    Counter-Strike: Global Offensive - Grind
    by The Horse Strangler, `RZL and MaanMan
     

    Counter-Strike: Global Offensive - Aurelia remake
    by Serialmapper
     

    Counter-Strike: Global Offensive - Tangerine
    by Harry Poster
     

    Counter-Strike: Global Offensive - Abbey
    by Lizard and TheWhaleMan
     

    Counter-Strike: Global Offensive - Apollo
    by Vaya, CrTech, Vorontsov, JSadones
     

    Counter-Strike: Global Offensive - Sirius
    by El Exodus
     

    Unreal Engine 4 scene
    by Corvus
     

    Counter-Strike: Global Offensive - Subzero
    by FMPONE
     

    Counter-Strike: Global Offensive - Biome
    by jd40
  7. Like
    Radu got a reaction from catfood for an article, 2017: Mapcore's Year in Review   
    (New logo by Yanzl)
    I'm sure that by now most of us have our sleeves rolled up and are ready to tackle yet another year, but before we move forward let's take a moment to look back at what 2017 meant for our community. It was a time of immense growth for both professionals and amateurs alike. A time when everyone seemed to have surpassed their former selves. And without slowing down, some have even managed to land their first job in the industry. I don't know what this new year holds, what challenges to overcome will arise, but I know for certain that I'm excited to see everyone become even greater!
     
    2017: Mapcore's Year in Review
     

    Overwatch - Oasis
    by Phillip K, Bram Eulaers, Helder Pinto and others
     

    Dishonored 2: Death of the Outsider - Curator level
    by electrosheep, kikette and others
     

    Payday 2 - Brooklyn Bank level
    by General Vivi
     

    Sniper Elite 4 - Regilino Viaduct
    by Beck Shaw and others
     

    Counter-Strike: Global Offensive - Offtime
    by Squad
     

    Team Fortress 2 - Shoreleave
    Art pass, props and sound by Freyja
     

    Wolfenstein II: The New Colossus - Farmhouse
    Modeled, textured and composed by BJA
     

    Half-Life 2: Downfall
    by marnamai
     

    Counter-Strike: Global Offensive - Studio
    by ZelZStorm, TanookiSuit3 and Hollandje
     

    Portal 2 - Refraction
    by Stract
     

    Counter Strike: Global Offensive - Breach
    by Yanzl and Puddy
     

    Counter-Strike: Global Offensive - Berth
    by grapen
     

    Counter-Strike: Global Offensive - Kaizen
    by Andre Valera and Jakuza
     

    Counter-Strike: Global Offensive - Asylum
    by Libertines
     

    Half-Life 2: Episode 2 - FusionVille: The Shadow over Ravensmouth
    by Klems
     

    Unreal Engine 4 scene
    by Dario Pinto
     

    Counter-Strike: Global Offensive - Grind
    by The Horse Strangler, `RZL and MaanMan
     

    Counter-Strike: Global Offensive - Aurelia remake
    by Serialmapper
     

    Counter-Strike: Global Offensive - Tangerine
    by Harry Poster
     

    Counter-Strike: Global Offensive - Abbey
    by Lizard and TheWhaleMan
     

    Counter-Strike: Global Offensive - Apollo
    by Vaya, CrTech, Vorontsov, JSadones
     

    Counter-Strike: Global Offensive - Sirius
    by El Exodus
     

    Unreal Engine 4 scene
    by Corvus
     

    Counter-Strike: Global Offensive - Subzero
    by FMPONE
     

    Counter-Strike: Global Offensive - Biome
    by jd40
  8. Like
    Radu got a reaction from Mazy for an article, 2017: Mapcore's Year in Review   
    (New logo by Yanzl)
    I'm sure that by now most of us have our sleeves rolled up and are ready to tackle yet another year, but before we move forward let's take a moment to look back at what 2017 meant for our community. It was a time of immense growth for both professionals and amateurs alike. A time when everyone seemed to have surpassed their former selves. And without slowing down, some have even managed to land their first job in the industry. I don't know what this new year holds, what challenges to overcome will arise, but I know for certain that I'm excited to see everyone become even greater!
     
    2017: Mapcore's Year in Review
     

    Overwatch - Oasis
    by Phillip K, Bram Eulaers, Helder Pinto and others
     

    Dishonored 2: Death of the Outsider - Curator level
    by electrosheep, kikette and others
     

    Payday 2 - Brooklyn Bank level
    by General Vivi
     

    Sniper Elite 4 - Regilino Viaduct
    by Beck Shaw and others
     

    Counter-Strike: Global Offensive - Offtime
    by Squad
     

    Team Fortress 2 - Shoreleave
    Art pass, props and sound by Freyja
     

    Wolfenstein II: The New Colossus - Farmhouse
    Modeled, textured and composed by BJA
     

    Half-Life 2: Downfall
    by marnamai
     

    Counter-Strike: Global Offensive - Studio
    by ZelZStorm, TanookiSuit3 and Hollandje
     

    Portal 2 - Refraction
    by Stract
     

    Counter Strike: Global Offensive - Breach
    by Yanzl and Puddy
     

    Counter-Strike: Global Offensive - Berth
    by grapen
     

    Counter-Strike: Global Offensive - Kaizen
    by Andre Valera and Jakuza
     

    Counter-Strike: Global Offensive - Asylum
    by Libertines
     

    Half-Life 2: Episode 2 - FusionVille: The Shadow over Ravensmouth
    by Klems
     

    Unreal Engine 4 scene
    by Dario Pinto
     

    Counter-Strike: Global Offensive - Grind
    by The Horse Strangler, `RZL and MaanMan
     

    Counter-Strike: Global Offensive - Aurelia remake
    by Serialmapper
     

    Counter-Strike: Global Offensive - Tangerine
    by Harry Poster
     

    Counter-Strike: Global Offensive - Abbey
    by Lizard and TheWhaleMan
     

    Counter-Strike: Global Offensive - Apollo
    by Vaya, CrTech, Vorontsov, JSadones
     

    Counter-Strike: Global Offensive - Sirius
    by El Exodus
     

    Unreal Engine 4 scene
    by Corvus
     

    Counter-Strike: Global Offensive - Subzero
    by FMPONE
     

    Counter-Strike: Global Offensive - Biome
    by jd40
  9. Awesome
    Radu got a reaction from blackdog for an article, 2017: Mapcore's Year in Review   
    (New logo by Yanzl)
    I'm sure that by now most of us have our sleeves rolled up and are ready to tackle yet another year, but before we move forward let's take a moment to look back at what 2017 meant for our community. It was a time of immense growth for both professionals and amateurs alike. A time when everyone seemed to have surpassed their former selves. And without slowing down, some have even managed to land their first job in the industry. I don't know what this new year holds, what challenges to overcome will arise, but I know for certain that I'm excited to see everyone become even greater!
     
    2017: Mapcore's Year in Review
     

    Overwatch - Oasis
    by Phillip K, Bram Eulaers, Helder Pinto and others
     

    Dishonored 2: Death of the Outsider - Curator level
    by electrosheep, kikette and others
     

    Payday 2 - Brooklyn Bank level
    by General Vivi
     

    Sniper Elite 4 - Regilino Viaduct
    by Beck Shaw and others
     

    Counter-Strike: Global Offensive - Offtime
    by Squad
     

    Team Fortress 2 - Shoreleave
    Art pass, props and sound by Freyja
     

    Wolfenstein II: The New Colossus - Farmhouse
    Modeled, textured and composed by BJA
     

    Half-Life 2: Downfall
    by marnamai
     

    Counter-Strike: Global Offensive - Studio
    by ZelZStorm, TanookiSuit3 and Hollandje
     

    Portal 2 - Refraction
    by Stract
     

    Counter Strike: Global Offensive - Breach
    by Yanzl and Puddy
     

    Counter-Strike: Global Offensive - Berth
    by grapen
     

    Counter-Strike: Global Offensive - Kaizen
    by Andre Valera and Jakuza
     

    Counter-Strike: Global Offensive - Asylum
    by Libertines
     

    Half-Life 2: Episode 2 - FusionVille: The Shadow over Ravensmouth
    by Klems
     

    Unreal Engine 4 scene
    by Dario Pinto
     

    Counter-Strike: Global Offensive - Grind
    by The Horse Strangler, `RZL and MaanMan
     

    Counter-Strike: Global Offensive - Aurelia remake
    by Serialmapper
     

    Counter-Strike: Global Offensive - Tangerine
    by Harry Poster
     

    Counter-Strike: Global Offensive - Abbey
    by Lizard and TheWhaleMan
     

    Counter-Strike: Global Offensive - Apollo
    by Vaya, CrTech, Vorontsov, JSadones
     

    Counter-Strike: Global Offensive - Sirius
    by El Exodus
     

    Unreal Engine 4 scene
    by Corvus
     

    Counter-Strike: Global Offensive - Subzero
    by FMPONE
     

    Counter-Strike: Global Offensive - Biome
    by jd40
  10. Like
    Radu got a reaction from Serialmapper for an article, 2017: Mapcore's Year in Review   
    (New logo by Yanzl)
    I'm sure that by now most of us have our sleeves rolled up and are ready to tackle yet another year, but before we move forward let's take a moment to look back at what 2017 meant for our community. It was a time of immense growth for both professionals and amateurs alike. A time when everyone seemed to have surpassed their former selves. And without slowing down, some have even managed to land their first job in the industry. I don't know what this new year holds, what challenges to overcome will arise, but I know for certain that I'm excited to see everyone become even greater!
     
    2017: Mapcore's Year in Review
     

    Overwatch - Oasis
    by Phillip K, Bram Eulaers, Helder Pinto and others
     

    Dishonored 2: Death of the Outsider - Curator level
    by electrosheep, kikette and others
     

    Payday 2 - Brooklyn Bank level
    by General Vivi
     

    Sniper Elite 4 - Regilino Viaduct
    by Beck Shaw and others
     

    Counter-Strike: Global Offensive - Offtime
    by Squad
     

    Team Fortress 2 - Shoreleave
    Art pass, props and sound by Freyja
     

    Wolfenstein II: The New Colossus - Farmhouse
    Modeled, textured and composed by BJA
     

    Half-Life 2: Downfall
    by marnamai
     

    Counter-Strike: Global Offensive - Studio
    by ZelZStorm, TanookiSuit3 and Hollandje
     

    Portal 2 - Refraction
    by Stract
     

    Counter Strike: Global Offensive - Breach
    by Yanzl and Puddy
     

    Counter-Strike: Global Offensive - Berth
    by grapen
     

    Counter-Strike: Global Offensive - Kaizen
    by Andre Valera and Jakuza
     

    Counter-Strike: Global Offensive - Asylum
    by Libertines
     

    Half-Life 2: Episode 2 - FusionVille: The Shadow over Ravensmouth
    by Klems
     

    Unreal Engine 4 scene
    by Dario Pinto
     

    Counter-Strike: Global Offensive - Grind
    by The Horse Strangler, `RZL and MaanMan
     

    Counter-Strike: Global Offensive - Aurelia remake
    by Serialmapper
     

    Counter-Strike: Global Offensive - Tangerine
    by Harry Poster
     

    Counter-Strike: Global Offensive - Abbey
    by Lizard and TheWhaleMan
     

    Counter-Strike: Global Offensive - Apollo
    by Vaya, CrTech, Vorontsov, JSadones
     

    Counter-Strike: Global Offensive - Sirius
    by El Exodus
     

    Unreal Engine 4 scene
    by Corvus
     

    Counter-Strike: Global Offensive - Subzero
    by FMPONE
     

    Counter-Strike: Global Offensive - Biome
    by jd40
  11. Like
    Radu got a reaction from rosk for an article, 2017: Mapcore's Year in Review   
    (New logo by Yanzl)
    I'm sure that by now most of us have our sleeves rolled up and are ready to tackle yet another year, but before we move forward let's take a moment to look back at what 2017 meant for our community. It was a time of immense growth for both professionals and amateurs alike. A time when everyone seemed to have surpassed their former selves. And without slowing down, some have even managed to land their first job in the industry. I don't know what this new year holds, what challenges to overcome will arise, but I know for certain that I'm excited to see everyone become even greater!
     
    2017: Mapcore's Year in Review
     

    Overwatch - Oasis
    by Phillip K, Bram Eulaers, Helder Pinto and others
     

    Dishonored 2: Death of the Outsider - Curator level
    by electrosheep, kikette and others
     

    Payday 2 - Brooklyn Bank level
    by General Vivi
     

    Sniper Elite 4 - Regilino Viaduct
    by Beck Shaw and others
     

    Counter-Strike: Global Offensive - Offtime
    by Squad
     

    Team Fortress 2 - Shoreleave
    Art pass, props and sound by Freyja
     

    Wolfenstein II: The New Colossus - Farmhouse
    Modeled, textured and composed by BJA
     

    Half-Life 2: Downfall
    by marnamai
     

    Counter-Strike: Global Offensive - Studio
    by ZelZStorm, TanookiSuit3 and Hollandje
     

    Portal 2 - Refraction
    by Stract
     

    Counter Strike: Global Offensive - Breach
    by Yanzl and Puddy
     

    Counter-Strike: Global Offensive - Berth
    by grapen
     

    Counter-Strike: Global Offensive - Kaizen
    by Andre Valera and Jakuza
     

    Counter-Strike: Global Offensive - Asylum
    by Libertines
     

    Half-Life 2: Episode 2 - FusionVille: The Shadow over Ravensmouth
    by Klems
     

    Unreal Engine 4 scene
    by Dario Pinto
     

    Counter-Strike: Global Offensive - Grind
    by The Horse Strangler, `RZL and MaanMan
     

    Counter-Strike: Global Offensive - Aurelia remake
    by Serialmapper
     

    Counter-Strike: Global Offensive - Tangerine
    by Harry Poster
     

    Counter-Strike: Global Offensive - Abbey
    by Lizard and TheWhaleMan
     

    Counter-Strike: Global Offensive - Apollo
    by Vaya, CrTech, Vorontsov, JSadones
     

    Counter-Strike: Global Offensive - Sirius
    by El Exodus
     

    Unreal Engine 4 scene
    by Corvus
     

    Counter-Strike: Global Offensive - Subzero
    by FMPONE
     

    Counter-Strike: Global Offensive - Biome
    by jd40
  12. Like
    Radu got a reaction from Pivac for an article, 2017: Mapcore's Year in Review   
    (New logo by Yanzl)
    I'm sure that by now most of us have our sleeves rolled up and are ready to tackle yet another year, but before we move forward let's take a moment to look back at what 2017 meant for our community. It was a time of immense growth for both professionals and amateurs alike. A time when everyone seemed to have surpassed their former selves. And without slowing down, some have even managed to land their first job in the industry. I don't know what this new year holds, what challenges to overcome will arise, but I know for certain that I'm excited to see everyone become even greater!
     
    2017: Mapcore's Year in Review
     

    Overwatch - Oasis
    by Phillip K, Bram Eulaers, Helder Pinto and others
     

    Dishonored 2: Death of the Outsider - Curator level
    by electrosheep, kikette and others
     

    Payday 2 - Brooklyn Bank level
    by General Vivi
     

    Sniper Elite 4 - Regilino Viaduct
    by Beck Shaw and others
     

    Counter-Strike: Global Offensive - Offtime
    by Squad
     

    Team Fortress 2 - Shoreleave
    Art pass, props and sound by Freyja
     

    Wolfenstein II: The New Colossus - Farmhouse
    Modeled, textured and composed by BJA
     

    Half-Life 2: Downfall
    by marnamai
     

    Counter-Strike: Global Offensive - Studio
    by ZelZStorm, TanookiSuit3 and Hollandje
     

    Portal 2 - Refraction
    by Stract
     

    Counter Strike: Global Offensive - Breach
    by Yanzl and Puddy
     

    Counter-Strike: Global Offensive - Berth
    by grapen
     

    Counter-Strike: Global Offensive - Kaizen
    by Andre Valera and Jakuza
     

    Counter-Strike: Global Offensive - Asylum
    by Libertines
     

    Half-Life 2: Episode 2 - FusionVille: The Shadow over Ravensmouth
    by Klems
     

    Unreal Engine 4 scene
    by Dario Pinto
     

    Counter-Strike: Global Offensive - Grind
    by The Horse Strangler, `RZL and MaanMan
     

    Counter-Strike: Global Offensive - Aurelia remake
    by Serialmapper
     

    Counter-Strike: Global Offensive - Tangerine
    by Harry Poster
     

    Counter-Strike: Global Offensive - Abbey
    by Lizard and TheWhaleMan
     

    Counter-Strike: Global Offensive - Apollo
    by Vaya, CrTech, Vorontsov, JSadones
     

    Counter-Strike: Global Offensive - Sirius
    by El Exodus
     

    Unreal Engine 4 scene
    by Corvus
     

    Counter-Strike: Global Offensive - Subzero
    by FMPONE
     

    Counter-Strike: Global Offensive - Biome
    by jd40
  13. Like
    Radu got a reaction from JimWood for an article, 2017: Mapcore's Year in Review   
    (New logo by Yanzl)
    I'm sure that by now most of us have our sleeves rolled up and are ready to tackle yet another year, but before we move forward let's take a moment to look back at what 2017 meant for our community. It was a time of immense growth for both professionals and amateurs alike. A time when everyone seemed to have surpassed their former selves. And without slowing down, some have even managed to land their first job in the industry. I don't know what this new year holds, what challenges to overcome will arise, but I know for certain that I'm excited to see everyone become even greater!
     
    2017: Mapcore's Year in Review
     

    Overwatch - Oasis
    by Phillip K, Bram Eulaers, Helder Pinto and others
     

    Dishonored 2: Death of the Outsider - Curator level
    by electrosheep, kikette and others
     

    Payday 2 - Brooklyn Bank level
    by General Vivi
     

    Sniper Elite 4 - Regilino Viaduct
    by Beck Shaw and others
     

    Counter-Strike: Global Offensive - Offtime
    by Squad
     

    Team Fortress 2 - Shoreleave
    Art pass, props and sound by Freyja
     

    Wolfenstein II: The New Colossus - Farmhouse
    Modeled, textured and composed by BJA
     

    Half-Life 2: Downfall
    by marnamai
     

    Counter-Strike: Global Offensive - Studio
    by ZelZStorm, TanookiSuit3 and Hollandje
     

    Portal 2 - Refraction
    by Stract
     

    Counter Strike: Global Offensive - Breach
    by Yanzl and Puddy
     

    Counter-Strike: Global Offensive - Berth
    by grapen
     

    Counter-Strike: Global Offensive - Kaizen
    by Andre Valera and Jakuza
     

    Counter-Strike: Global Offensive - Asylum
    by Libertines
     

    Half-Life 2: Episode 2 - FusionVille: The Shadow over Ravensmouth
    by Klems
     

    Unreal Engine 4 scene
    by Dario Pinto
     

    Counter-Strike: Global Offensive - Grind
    by The Horse Strangler, `RZL and MaanMan
     

    Counter-Strike: Global Offensive - Aurelia remake
    by Serialmapper
     

    Counter-Strike: Global Offensive - Tangerine
    by Harry Poster
     

    Counter-Strike: Global Offensive - Abbey
    by Lizard and TheWhaleMan
     

    Counter-Strike: Global Offensive - Apollo
    by Vaya, CrTech, Vorontsov, JSadones
     

    Counter-Strike: Global Offensive - Sirius
    by El Exodus
     

    Unreal Engine 4 scene
    by Corvus
     

    Counter-Strike: Global Offensive - Subzero
    by FMPONE
     

    Counter-Strike: Global Offensive - Biome
    by jd40
  14. Like
    Radu got a reaction from 'RZL for an article, 2017: Mapcore's Year in Review   
    (New logo by Yanzl)
    I'm sure that by now most of us have our sleeves rolled up and are ready to tackle yet another year, but before we move forward let's take a moment to look back at what 2017 meant for our community. It was a time of immense growth for both professionals and amateurs alike. A time when everyone seemed to have surpassed their former selves. And without slowing down, some have even managed to land their first job in the industry. I don't know what this new year holds, what challenges to overcome will arise, but I know for certain that I'm excited to see everyone become even greater!
     
    2017: Mapcore's Year in Review
     

    Overwatch - Oasis
    by Phillip K, Bram Eulaers, Helder Pinto and others
     

    Dishonored 2: Death of the Outsider - Curator level
    by electrosheep, kikette and others
     

    Payday 2 - Brooklyn Bank level
    by General Vivi
     

    Sniper Elite 4 - Regilino Viaduct
    by Beck Shaw and others
     

    Counter-Strike: Global Offensive - Offtime
    by Squad
     

    Team Fortress 2 - Shoreleave
    Art pass, props and sound by Freyja
     

    Wolfenstein II: The New Colossus - Farmhouse
    Modeled, textured and composed by BJA
     

    Half-Life 2: Downfall
    by marnamai
     

    Counter-Strike: Global Offensive - Studio
    by ZelZStorm, TanookiSuit3 and Hollandje
     

    Portal 2 - Refraction
    by Stract
     

    Counter Strike: Global Offensive - Breach
    by Yanzl and Puddy
     

    Counter-Strike: Global Offensive - Berth
    by grapen
     

    Counter-Strike: Global Offensive - Kaizen
    by Andre Valera and Jakuza
     

    Counter-Strike: Global Offensive - Asylum
    by Libertines
     

    Half-Life 2: Episode 2 - FusionVille: The Shadow over Ravensmouth
    by Klems
     

    Unreal Engine 4 scene
    by Dario Pinto
     

    Counter-Strike: Global Offensive - Grind
    by The Horse Strangler, `RZL and MaanMan
     

    Counter-Strike: Global Offensive - Aurelia remake
    by Serialmapper
     

    Counter-Strike: Global Offensive - Tangerine
    by Harry Poster
     

    Counter-Strike: Global Offensive - Abbey
    by Lizard and TheWhaleMan
     

    Counter-Strike: Global Offensive - Apollo
    by Vaya, CrTech, Vorontsov, JSadones
     

    Counter-Strike: Global Offensive - Sirius
    by El Exodus
     

    Unreal Engine 4 scene
    by Corvus
     

    Counter-Strike: Global Offensive - Subzero
    by FMPONE
     

    Counter-Strike: Global Offensive - Biome
    by jd40
  15. Like
    Radu got a reaction from jackophant for an article, 2017: Mapcore's Year in Review   
    (New logo by Yanzl)
    I'm sure that by now most of us have our sleeves rolled up and are ready to tackle yet another year, but before we move forward let's take a moment to look back at what 2017 meant for our community. It was a time of immense growth for both professionals and amateurs alike. A time when everyone seemed to have surpassed their former selves. And without slowing down, some have even managed to land their first job in the industry. I don't know what this new year holds, what challenges to overcome will arise, but I know for certain that I'm excited to see everyone become even greater!
     
    2017: Mapcore's Year in Review
     

    Overwatch - Oasis
    by Phillip K, Bram Eulaers, Helder Pinto and others
     

    Dishonored 2: Death of the Outsider - Curator level
    by electrosheep, kikette and others
     

    Payday 2 - Brooklyn Bank level
    by General Vivi
     

    Sniper Elite 4 - Regilino Viaduct
    by Beck Shaw and others
     

    Counter-Strike: Global Offensive - Offtime
    by Squad
     

    Team Fortress 2 - Shoreleave
    Art pass, props and sound by Freyja
     

    Wolfenstein II: The New Colossus - Farmhouse
    Modeled, textured and composed by BJA
     

    Half-Life 2: Downfall
    by marnamai
     

    Counter-Strike: Global Offensive - Studio
    by ZelZStorm, TanookiSuit3 and Hollandje
     

    Portal 2 - Refraction
    by Stract
     

    Counter Strike: Global Offensive - Breach
    by Yanzl and Puddy
     

    Counter-Strike: Global Offensive - Berth
    by grapen
     

    Counter-Strike: Global Offensive - Kaizen
    by Andre Valera and Jakuza
     

    Counter-Strike: Global Offensive - Asylum
    by Libertines
     

    Half-Life 2: Episode 2 - FusionVille: The Shadow over Ravensmouth
    by Klems
     

    Unreal Engine 4 scene
    by Dario Pinto
     

    Counter-Strike: Global Offensive - Grind
    by The Horse Strangler, `RZL and MaanMan
     

    Counter-Strike: Global Offensive - Aurelia remake
    by Serialmapper
     

    Counter-Strike: Global Offensive - Tangerine
    by Harry Poster
     

    Counter-Strike: Global Offensive - Abbey
    by Lizard and TheWhaleMan
     

    Counter-Strike: Global Offensive - Apollo
    by Vaya, CrTech, Vorontsov, JSadones
     

    Counter-Strike: Global Offensive - Sirius
    by El Exodus
     

    Unreal Engine 4 scene
    by Corvus
     

    Counter-Strike: Global Offensive - Subzero
    by FMPONE
     

    Counter-Strike: Global Offensive - Biome
    by jd40
  16. Like
    Radu got a reaction from Furiosa for an article, 2017: Mapcore's Year in Review   
    (New logo by Yanzl)
    I'm sure that by now most of us have our sleeves rolled up and are ready to tackle yet another year, but before we move forward let's take a moment to look back at what 2017 meant for our community. It was a time of immense growth for both professionals and amateurs alike. A time when everyone seemed to have surpassed their former selves. And without slowing down, some have even managed to land their first job in the industry. I don't know what this new year holds, what challenges to overcome will arise, but I know for certain that I'm excited to see everyone become even greater!
     
    2017: Mapcore's Year in Review
     

    Overwatch - Oasis
    by Phillip K, Bram Eulaers, Helder Pinto and others
     

    Dishonored 2: Death of the Outsider - Curator level
    by electrosheep, kikette and others
     

    Payday 2 - Brooklyn Bank level
    by General Vivi
     

    Sniper Elite 4 - Regilino Viaduct
    by Beck Shaw and others
     

    Counter-Strike: Global Offensive - Offtime
    by Squad
     

    Team Fortress 2 - Shoreleave
    Art pass, props and sound by Freyja
     

    Wolfenstein II: The New Colossus - Farmhouse
    Modeled, textured and composed by BJA
     

    Half-Life 2: Downfall
    by marnamai
     

    Counter-Strike: Global Offensive - Studio
    by ZelZStorm, TanookiSuit3 and Hollandje
     

    Portal 2 - Refraction
    by Stract
     

    Counter Strike: Global Offensive - Breach
    by Yanzl and Puddy
     

    Counter-Strike: Global Offensive - Berth
    by grapen
     

    Counter-Strike: Global Offensive - Kaizen
    by Andre Valera and Jakuza
     

    Counter-Strike: Global Offensive - Asylum
    by Libertines
     

    Half-Life 2: Episode 2 - FusionVille: The Shadow over Ravensmouth
    by Klems
     

    Unreal Engine 4 scene
    by Dario Pinto
     

    Counter-Strike: Global Offensive - Grind
    by The Horse Strangler, `RZL and MaanMan
     

    Counter-Strike: Global Offensive - Aurelia remake
    by Serialmapper
     

    Counter-Strike: Global Offensive - Tangerine
    by Harry Poster
     

    Counter-Strike: Global Offensive - Abbey
    by Lizard and TheWhaleMan
     

    Counter-Strike: Global Offensive - Apollo
    by Vaya, CrTech, Vorontsov, JSadones
     

    Counter-Strike: Global Offensive - Sirius
    by El Exodus
     

    Unreal Engine 4 scene
    by Corvus
     

    Counter-Strike: Global Offensive - Subzero
    by FMPONE
     

    Counter-Strike: Global Offensive - Biome
    by jd40
  17. Like
    Radu got a reaction from Fnugz for an article, 2017: Mapcore's Year in Review   
    (New logo by Yanzl)
    I'm sure that by now most of us have our sleeves rolled up and are ready to tackle yet another year, but before we move forward let's take a moment to look back at what 2017 meant for our community. It was a time of immense growth for both professionals and amateurs alike. A time when everyone seemed to have surpassed their former selves. And without slowing down, some have even managed to land their first job in the industry. I don't know what this new year holds, what challenges to overcome will arise, but I know for certain that I'm excited to see everyone become even greater!
     
    2017: Mapcore's Year in Review
     

    Overwatch - Oasis
    by Phillip K, Bram Eulaers, Helder Pinto and others
     

    Dishonored 2: Death of the Outsider - Curator level
    by electrosheep, kikette and others
     

    Payday 2 - Brooklyn Bank level
    by General Vivi
     

    Sniper Elite 4 - Regilino Viaduct
    by Beck Shaw and others
     

    Counter-Strike: Global Offensive - Offtime
    by Squad
     

    Team Fortress 2 - Shoreleave
    Art pass, props and sound by Freyja
     

    Wolfenstein II: The New Colossus - Farmhouse
    Modeled, textured and composed by BJA
     

    Half-Life 2: Downfall
    by marnamai
     

    Counter-Strike: Global Offensive - Studio
    by ZelZStorm, TanookiSuit3 and Hollandje
     

    Portal 2 - Refraction
    by Stract
     

    Counter Strike: Global Offensive - Breach
    by Yanzl and Puddy
     

    Counter-Strike: Global Offensive - Berth
    by grapen
     

    Counter-Strike: Global Offensive - Kaizen
    by Andre Valera and Jakuza
     

    Counter-Strike: Global Offensive - Asylum
    by Libertines
     

    Half-Life 2: Episode 2 - FusionVille: The Shadow over Ravensmouth
    by Klems
     

    Unreal Engine 4 scene
    by Dario Pinto
     

    Counter-Strike: Global Offensive - Grind
    by The Horse Strangler, `RZL and MaanMan
     

    Counter-Strike: Global Offensive - Aurelia remake
    by Serialmapper
     

    Counter-Strike: Global Offensive - Tangerine
    by Harry Poster
     

    Counter-Strike: Global Offensive - Abbey
    by Lizard and TheWhaleMan
     

    Counter-Strike: Global Offensive - Apollo
    by Vaya, CrTech, Vorontsov, JSadones
     

    Counter-Strike: Global Offensive - Sirius
    by El Exodus
     

    Unreal Engine 4 scene
    by Corvus
     

    Counter-Strike: Global Offensive - Subzero
    by FMPONE
     

    Counter-Strike: Global Offensive - Biome
    by jd40
  18. Like
    Radu got a reaction from El_Exodus for an article, 2017: Mapcore's Year in Review   
    (New logo by Yanzl)
    I'm sure that by now most of us have our sleeves rolled up and are ready to tackle yet another year, but before we move forward let's take a moment to look back at what 2017 meant for our community. It was a time of immense growth for both professionals and amateurs alike. A time when everyone seemed to have surpassed their former selves. And without slowing down, some have even managed to land their first job in the industry. I don't know what this new year holds, what challenges to overcome will arise, but I know for certain that I'm excited to see everyone become even greater!
     
    2017: Mapcore's Year in Review
     

    Overwatch - Oasis
    by Phillip K, Bram Eulaers, Helder Pinto and others
     

    Dishonored 2: Death of the Outsider - Curator level
    by electrosheep, kikette and others
     

    Payday 2 - Brooklyn Bank level
    by General Vivi
     

    Sniper Elite 4 - Regilino Viaduct
    by Beck Shaw and others
     

    Counter-Strike: Global Offensive - Offtime
    by Squad
     

    Team Fortress 2 - Shoreleave
    Art pass, props and sound by Freyja
     

    Wolfenstein II: The New Colossus - Farmhouse
    Modeled, textured and composed by BJA
     

    Half-Life 2: Downfall
    by marnamai
     

    Counter-Strike: Global Offensive - Studio
    by ZelZStorm, TanookiSuit3 and Hollandje
     

    Portal 2 - Refraction
    by Stract
     

    Counter Strike: Global Offensive - Breach
    by Yanzl and Puddy
     

    Counter-Strike: Global Offensive - Berth
    by grapen
     

    Counter-Strike: Global Offensive - Kaizen
    by Andre Valera and Jakuza
     

    Counter-Strike: Global Offensive - Asylum
    by Libertines
     

    Half-Life 2: Episode 2 - FusionVille: The Shadow over Ravensmouth
    by Klems
     

    Unreal Engine 4 scene
    by Dario Pinto
     

    Counter-Strike: Global Offensive - Grind
    by The Horse Strangler, `RZL and MaanMan
     

    Counter-Strike: Global Offensive - Aurelia remake
    by Serialmapper
     

    Counter-Strike: Global Offensive - Tangerine
    by Harry Poster
     

    Counter-Strike: Global Offensive - Abbey
    by Lizard and TheWhaleMan
     

    Counter-Strike: Global Offensive - Apollo
    by Vaya, CrTech, Vorontsov, JSadones
     

    Counter-Strike: Global Offensive - Sirius
    by El Exodus
     

    Unreal Engine 4 scene
    by Corvus
     

    Counter-Strike: Global Offensive - Subzero
    by FMPONE
     

    Counter-Strike: Global Offensive - Biome
    by jd40
  19. Like
    Radu got a reaction from Beck for an article, 2017: Mapcore's Year in Review   
    (New logo by Yanzl)
    I'm sure that by now most of us have our sleeves rolled up and are ready to tackle yet another year, but before we move forward let's take a moment to look back at what 2017 meant for our community. It was a time of immense growth for both professionals and amateurs alike. A time when everyone seemed to have surpassed their former selves. And without slowing down, some have even managed to land their first job in the industry. I don't know what this new year holds, what challenges to overcome will arise, but I know for certain that I'm excited to see everyone become even greater!
     
    2017: Mapcore's Year in Review
     

    Overwatch - Oasis
    by Phillip K, Bram Eulaers, Helder Pinto and others
     

    Dishonored 2: Death of the Outsider - Curator level
    by electrosheep, kikette and others
     

    Payday 2 - Brooklyn Bank level
    by General Vivi
     

    Sniper Elite 4 - Regilino Viaduct
    by Beck Shaw and others
     

    Counter-Strike: Global Offensive - Offtime
    by Squad
     

    Team Fortress 2 - Shoreleave
    Art pass, props and sound by Freyja
     

    Wolfenstein II: The New Colossus - Farmhouse
    Modeled, textured and composed by BJA
     

    Half-Life 2: Downfall
    by marnamai
     

    Counter-Strike: Global Offensive - Studio
    by ZelZStorm, TanookiSuit3 and Hollandje
     

    Portal 2 - Refraction
    by Stract
     

    Counter Strike: Global Offensive - Breach
    by Yanzl and Puddy
     

    Counter-Strike: Global Offensive - Berth
    by grapen
     

    Counter-Strike: Global Offensive - Kaizen
    by Andre Valera and Jakuza
     

    Counter-Strike: Global Offensive - Asylum
    by Libertines
     

    Half-Life 2: Episode 2 - FusionVille: The Shadow over Ravensmouth
    by Klems
     

    Unreal Engine 4 scene
    by Dario Pinto
     

    Counter-Strike: Global Offensive - Grind
    by The Horse Strangler, `RZL and MaanMan
     

    Counter-Strike: Global Offensive - Aurelia remake
    by Serialmapper
     

    Counter-Strike: Global Offensive - Tangerine
    by Harry Poster
     

    Counter-Strike: Global Offensive - Abbey
    by Lizard and TheWhaleMan
     

    Counter-Strike: Global Offensive - Apollo
    by Vaya, CrTech, Vorontsov, JSadones
     

    Counter-Strike: Global Offensive - Sirius
    by El Exodus
     

    Unreal Engine 4 scene
    by Corvus
     

    Counter-Strike: Global Offensive - Subzero
    by FMPONE
     

    Counter-Strike: Global Offensive - Biome
    by jd40
  20. Like
    Radu got a reaction from Squad for an article, 2017: Mapcore's Year in Review   
    (New logo by Yanzl)
    I'm sure that by now most of us have our sleeves rolled up and are ready to tackle yet another year, but before we move forward let's take a moment to look back at what 2017 meant for our community. It was a time of immense growth for both professionals and amateurs alike. A time when everyone seemed to have surpassed their former selves. And without slowing down, some have even managed to land their first job in the industry. I don't know what this new year holds, what challenges to overcome will arise, but I know for certain that I'm excited to see everyone become even greater!
     
    2017: Mapcore's Year in Review
     

    Overwatch - Oasis
    by Phillip K, Bram Eulaers, Helder Pinto and others
     

    Dishonored 2: Death of the Outsider - Curator level
    by electrosheep, kikette and others
     

    Payday 2 - Brooklyn Bank level
    by General Vivi
     

    Sniper Elite 4 - Regilino Viaduct
    by Beck Shaw and others
     

    Counter-Strike: Global Offensive - Offtime
    by Squad
     

    Team Fortress 2 - Shoreleave
    Art pass, props and sound by Freyja
     

    Wolfenstein II: The New Colossus - Farmhouse
    Modeled, textured and composed by BJA
     

    Half-Life 2: Downfall
    by marnamai
     

    Counter-Strike: Global Offensive - Studio
    by ZelZStorm, TanookiSuit3 and Hollandje
     

    Portal 2 - Refraction
    by Stract
     

    Counter Strike: Global Offensive - Breach
    by Yanzl and Puddy
     

    Counter-Strike: Global Offensive - Berth
    by grapen
     

    Counter-Strike: Global Offensive - Kaizen
    by Andre Valera and Jakuza
     

    Counter-Strike: Global Offensive - Asylum
    by Libertines
     

    Half-Life 2: Episode 2 - FusionVille: The Shadow over Ravensmouth
    by Klems
     

    Unreal Engine 4 scene
    by Dario Pinto
     

    Counter-Strike: Global Offensive - Grind
    by The Horse Strangler, `RZL and MaanMan
     

    Counter-Strike: Global Offensive - Aurelia remake
    by Serialmapper
     

    Counter-Strike: Global Offensive - Tangerine
    by Harry Poster
     

    Counter-Strike: Global Offensive - Abbey
    by Lizard and TheWhaleMan
     

    Counter-Strike: Global Offensive - Apollo
    by Vaya, CrTech, Vorontsov, JSadones
     

    Counter-Strike: Global Offensive - Sirius
    by El Exodus
     

    Unreal Engine 4 scene
    by Corvus
     

    Counter-Strike: Global Offensive - Subzero
    by FMPONE
     

    Counter-Strike: Global Offensive - Biome
    by jd40
  21. Like
    Radu got a reaction from JSadones for an article, 2017: Mapcore's Year in Review   
    (New logo by Yanzl)
    I'm sure that by now most of us have our sleeves rolled up and are ready to tackle yet another year, but before we move forward let's take a moment to look back at what 2017 meant for our community. It was a time of immense growth for both professionals and amateurs alike. A time when everyone seemed to have surpassed their former selves. And without slowing down, some have even managed to land their first job in the industry. I don't know what this new year holds, what challenges to overcome will arise, but I know for certain that I'm excited to see everyone become even greater!
     
    2017: Mapcore's Year in Review
     

    Overwatch - Oasis
    by Phillip K, Bram Eulaers, Helder Pinto and others
     

    Dishonored 2: Death of the Outsider - Curator level
    by electrosheep, kikette and others
     

    Payday 2 - Brooklyn Bank level
    by General Vivi
     

    Sniper Elite 4 - Regilino Viaduct
    by Beck Shaw and others
     

    Counter-Strike: Global Offensive - Offtime
    by Squad
     

    Team Fortress 2 - Shoreleave
    Art pass, props and sound by Freyja
     

    Wolfenstein II: The New Colossus - Farmhouse
    Modeled, textured and composed by BJA
     

    Half-Life 2: Downfall
    by marnamai
     

    Counter-Strike: Global Offensive - Studio
    by ZelZStorm, TanookiSuit3 and Hollandje
     

    Portal 2 - Refraction
    by Stract
     

    Counter Strike: Global Offensive - Breach
    by Yanzl and Puddy
     

    Counter-Strike: Global Offensive - Berth
    by grapen
     

    Counter-Strike: Global Offensive - Kaizen
    by Andre Valera and Jakuza
     

    Counter-Strike: Global Offensive - Asylum
    by Libertines
     

    Half-Life 2: Episode 2 - FusionVille: The Shadow over Ravensmouth
    by Klems
     

    Unreal Engine 4 scene
    by Dario Pinto
     

    Counter-Strike: Global Offensive - Grind
    by The Horse Strangler, `RZL and MaanMan
     

    Counter-Strike: Global Offensive - Aurelia remake
    by Serialmapper
     

    Counter-Strike: Global Offensive - Tangerine
    by Harry Poster
     

    Counter-Strike: Global Offensive - Abbey
    by Lizard and TheWhaleMan
     

    Counter-Strike: Global Offensive - Apollo
    by Vaya, CrTech, Vorontsov, JSadones
     

    Counter-Strike: Global Offensive - Sirius
    by El Exodus
     

    Unreal Engine 4 scene
    by Corvus
     

    Counter-Strike: Global Offensive - Subzero
    by FMPONE
     

    Counter-Strike: Global Offensive - Biome
    by jd40
  22. Like
    Radu got a reaction from ┌HP┘ for an article, 2017: Mapcore's Year in Review   
    (New logo by Yanzl)
    I'm sure that by now most of us have our sleeves rolled up and are ready to tackle yet another year, but before we move forward let's take a moment to look back at what 2017 meant for our community. It was a time of immense growth for both professionals and amateurs alike. A time when everyone seemed to have surpassed their former selves. And without slowing down, some have even managed to land their first job in the industry. I don't know what this new year holds, what challenges to overcome will arise, but I know for certain that I'm excited to see everyone become even greater!
     
    2017: Mapcore's Year in Review
     

    Overwatch - Oasis
    by Phillip K, Bram Eulaers, Helder Pinto and others
     

    Dishonored 2: Death of the Outsider - Curator level
    by electrosheep, kikette and others
     

    Payday 2 - Brooklyn Bank level
    by General Vivi
     

    Sniper Elite 4 - Regilino Viaduct
    by Beck Shaw and others
     

    Counter-Strike: Global Offensive - Offtime
    by Squad
     

    Team Fortress 2 - Shoreleave
    Art pass, props and sound by Freyja
     

    Wolfenstein II: The New Colossus - Farmhouse
    Modeled, textured and composed by BJA
     

    Half-Life 2: Downfall
    by marnamai
     

    Counter-Strike: Global Offensive - Studio
    by ZelZStorm, TanookiSuit3 and Hollandje
     

    Portal 2 - Refraction
    by Stract
     

    Counter Strike: Global Offensive - Breach
    by Yanzl and Puddy
     

    Counter-Strike: Global Offensive - Berth
    by grapen
     

    Counter-Strike: Global Offensive - Kaizen
    by Andre Valera and Jakuza
     

    Counter-Strike: Global Offensive - Asylum
    by Libertines
     

    Half-Life 2: Episode 2 - FusionVille: The Shadow over Ravensmouth
    by Klems
     

    Unreal Engine 4 scene
    by Dario Pinto
     

    Counter-Strike: Global Offensive - Grind
    by The Horse Strangler, `RZL and MaanMan
     

    Counter-Strike: Global Offensive - Aurelia remake
    by Serialmapper
     

    Counter-Strike: Global Offensive - Tangerine
    by Harry Poster
     

    Counter-Strike: Global Offensive - Abbey
    by Lizard and TheWhaleMan
     

    Counter-Strike: Global Offensive - Apollo
    by Vaya, CrTech, Vorontsov, JSadones
     

    Counter-Strike: Global Offensive - Sirius
    by El Exodus
     

    Unreal Engine 4 scene
    by Corvus
     

    Counter-Strike: Global Offensive - Subzero
    by FMPONE
     

    Counter-Strike: Global Offensive - Biome
    by jd40
  23. Like
    Radu got a reaction from Vaya for an article, 2017: Mapcore's Year in Review   
    (New logo by Yanzl)
    I'm sure that by now most of us have our sleeves rolled up and are ready to tackle yet another year, but before we move forward let's take a moment to look back at what 2017 meant for our community. It was a time of immense growth for both professionals and amateurs alike. A time when everyone seemed to have surpassed their former selves. And without slowing down, some have even managed to land their first job in the industry. I don't know what this new year holds, what challenges to overcome will arise, but I know for certain that I'm excited to see everyone become even greater!
     
    2017: Mapcore's Year in Review
     

    Overwatch - Oasis
    by Phillip K, Bram Eulaers, Helder Pinto and others
     

    Dishonored 2: Death of the Outsider - Curator level
    by electrosheep, kikette and others
     

    Payday 2 - Brooklyn Bank level
    by General Vivi
     

    Sniper Elite 4 - Regilino Viaduct
    by Beck Shaw and others
     

    Counter-Strike: Global Offensive - Offtime
    by Squad
     

    Team Fortress 2 - Shoreleave
    Art pass, props and sound by Freyja
     

    Wolfenstein II: The New Colossus - Farmhouse
    Modeled, textured and composed by BJA
     

    Half-Life 2: Downfall
    by marnamai
     

    Counter-Strike: Global Offensive - Studio
    by ZelZStorm, TanookiSuit3 and Hollandje
     

    Portal 2 - Refraction
    by Stract
     

    Counter Strike: Global Offensive - Breach
    by Yanzl and Puddy
     

    Counter-Strike: Global Offensive - Berth
    by grapen
     

    Counter-Strike: Global Offensive - Kaizen
    by Andre Valera and Jakuza
     

    Counter-Strike: Global Offensive - Asylum
    by Libertines
     

    Half-Life 2: Episode 2 - FusionVille: The Shadow over Ravensmouth
    by Klems
     

    Unreal Engine 4 scene
    by Dario Pinto
     

    Counter-Strike: Global Offensive - Grind
    by The Horse Strangler, `RZL and MaanMan
     

    Counter-Strike: Global Offensive - Aurelia remake
    by Serialmapper
     

    Counter-Strike: Global Offensive - Tangerine
    by Harry Poster
     

    Counter-Strike: Global Offensive - Abbey
    by Lizard and TheWhaleMan
     

    Counter-Strike: Global Offensive - Apollo
    by Vaya, CrTech, Vorontsov, JSadones
     

    Counter-Strike: Global Offensive - Sirius
    by El Exodus
     

    Unreal Engine 4 scene
    by Corvus
     

    Counter-Strike: Global Offensive - Subzero
    by FMPONE
     

    Counter-Strike: Global Offensive - Biome
    by jd40
  24. Awesome
    Radu got a reaction from El Moroes for an article, 2017: Mapcore's Year in Review   
    (New logo by Yanzl)
    I'm sure that by now most of us have our sleeves rolled up and are ready to tackle yet another year, but before we move forward let's take a moment to look back at what 2017 meant for our community. It was a time of immense growth for both professionals and amateurs alike. A time when everyone seemed to have surpassed their former selves. And without slowing down, some have even managed to land their first job in the industry. I don't know what this new year holds, what challenges to overcome will arise, but I know for certain that I'm excited to see everyone become even greater!
     
    2017: Mapcore's Year in Review
     

    Overwatch - Oasis
    by Phillip K, Bram Eulaers, Helder Pinto and others
     

    Dishonored 2: Death of the Outsider - Curator level
    by electrosheep, kikette and others
     

    Payday 2 - Brooklyn Bank level
    by General Vivi
     

    Sniper Elite 4 - Regilino Viaduct
    by Beck Shaw and others
     

    Counter-Strike: Global Offensive - Offtime
    by Squad
     

    Team Fortress 2 - Shoreleave
    Art pass, props and sound by Freyja
     

    Wolfenstein II: The New Colossus - Farmhouse
    Modeled, textured and composed by BJA
     

    Half-Life 2: Downfall
    by marnamai
     

    Counter-Strike: Global Offensive - Studio
    by ZelZStorm, TanookiSuit3 and Hollandje
     

    Portal 2 - Refraction
    by Stract
     

    Counter Strike: Global Offensive - Breach
    by Yanzl and Puddy
     

    Counter-Strike: Global Offensive - Berth
    by grapen
     

    Counter-Strike: Global Offensive - Kaizen
    by Andre Valera and Jakuza
     

    Counter-Strike: Global Offensive - Asylum
    by Libertines
     

    Half-Life 2: Episode 2 - FusionVille: The Shadow over Ravensmouth
    by Klems
     

    Unreal Engine 4 scene
    by Dario Pinto
     

    Counter-Strike: Global Offensive - Grind
    by The Horse Strangler, `RZL and MaanMan
     

    Counter-Strike: Global Offensive - Aurelia remake
    by Serialmapper
     

    Counter-Strike: Global Offensive - Tangerine
    by Harry Poster
     

    Counter-Strike: Global Offensive - Abbey
    by Lizard and TheWhaleMan
     

    Counter-Strike: Global Offensive - Apollo
    by Vaya, CrTech, Vorontsov, JSadones
     

    Counter-Strike: Global Offensive - Sirius
    by El Exodus
     

    Unreal Engine 4 scene
    by Corvus
     

    Counter-Strike: Global Offensive - Subzero
    by FMPONE
     

    Counter-Strike: Global Offensive - Biome
    by jd40
  25. Like
    Radu got a reaction from FMPONE for an article, 2017: Mapcore's Year in Review   
    (New logo by Yanzl)
    I'm sure that by now most of us have our sleeves rolled up and are ready to tackle yet another year, but before we move forward let's take a moment to look back at what 2017 meant for our community. It was a time of immense growth for both professionals and amateurs alike. A time when everyone seemed to have surpassed their former selves. And without slowing down, some have even managed to land their first job in the industry. I don't know what this new year holds, what challenges to overcome will arise, but I know for certain that I'm excited to see everyone become even greater!
     
    2017: Mapcore's Year in Review
     

    Overwatch - Oasis
    by Phillip K, Bram Eulaers, Helder Pinto and others
     

    Dishonored 2: Death of the Outsider - Curator level
    by electrosheep, kikette and others
     

    Payday 2 - Brooklyn Bank level
    by General Vivi
     

    Sniper Elite 4 - Regilino Viaduct
    by Beck Shaw and others
     

    Counter-Strike: Global Offensive - Offtime
    by Squad
     

    Team Fortress 2 - Shoreleave
    Art pass, props and sound by Freyja
     

    Wolfenstein II: The New Colossus - Farmhouse
    Modeled, textured and composed by BJA
     

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